My area of concern has always been the importance of preserving ones imagination. It holds endless possibilities but with maturing age and alternative priorities it becomes abandoned in many humans. The act of utilising my imagination is the primary motivation in my work. This act rebels against the formulaic and stems from the desire to develop it as a tool and refine its use in achieving obscure possibilities.
One’s ability in to stay in the unconscious mind is impossible. The space before something becomes a conscious idea, is where my practice convenes.
According to the psychiatrist and psychoanalyst Carl Jung, certain details are brought from the unconscious mind into consciousness through past experiences, free memories, repressed memories, dreams, active imagination and Free Association (Freud). This is known as the process of Individuation and is unique to each person.
As an area of self-investigation, I attempt to tap into and explore the realm as this point of transformation.
In order to achieve a comprehensive outcome, an instinctual approach to image making is employed. Impulsive reactions to mixed materials, surfaces and ideas are applied with assurance and without prejudice, opening the imagination to play and experimentation at the highest level. This 'Creative Active Three way' allows for an infinite amount of possibilities with the least amount of limitations.
The ego, which is the centre of consciousness, must be checked and disregarded as the ambition is to produce a body of work that is whole, not perfect, or necessarily aesthetically pleasing.
Varied impressions from the unconscious are applied to multiple surfaces at one time. Each painting is a documented glimpse of a more comprehensive analysis of the unconscious.
Upon psychoanalysis of the work, repeated patterns, circles and geometric shapes echo aspects of art therapy theory inclusive of obsessive compulsive behaviour. Surrounding battles of the artist’s ego intrude on more obvious symbols of the conscious mind like that of the moon, clouds, symbols of love and planets which represent that of the intangible. The abstract nature of the work encourages the viewer to project their own perceptions from Individuation with the practice of Free Association.